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 Krisztina received her degree from the College of Film and Dramatic Art which is the National Conservatory of Hungary. She also received a full-scholarship to study at the famed Stanislavisky Moscow Art Theatre and has a Masters Degree in Psychological Studies from Kossuth Lajos University in Hungary.
 She has starred in over 100 productions in stage,film, and television in some of the world's most prestigious theatres throughout Europe, including Budapest, Paris, Strasbourg, Rome, Vienna, Berlin, and Moscow. She is also a mother and a spiritual seeker from a long line of teachers.
Awards & Prizes
National Award for Children's Aid, 1983
Best Actress, Summer Theater Festival, Gyila, Hungary 1992
Rajz Janos Prize for Best Actress, National Theater, 1992 & 1994
Jaszai Mari Prize for Best Actress by Hungarian Government 1996
Major Movie Roles
The Swede Who Disappeared, with Derek Jacobi: Director: Peter Bacso
Behind the Brick Wall, Director: Karoly Makk
Without Judgment, Director: Karoly Makk
Ice Cream Without Cone,(Grand Prize, Berlin Film Festival) Director: Judit Felvideki
When Krisztina first migrated to the U.S. from  Hungary, a culture that embraces artists, she immediately noticed the general lack of support for the arts here in the United States. Her response was to create not just anohter acting school but one that would nurture its students in unique ways. Because of her background Krisztina has a developed understanding of what it takes to bring forth acting talent in her students in a supportive environment.
 The difference between Euro style and what is taught here in the U.S. is that Euro style focuses more on the relationships created among actors. According to Krisztina, it is the group activity that fosters a community of presence. This atmosphere allows the actor to strip away their "mask" and be vulnerable, which is fundamental to the art of acting. It is about exploring yourself openly to find what method works for you.
Although most actors are not aware of it, acting is a spiritual practice. Actors transform their inner being into art. As a beginner, you will be faced with the complexity of your inner-life and how to accept it.
"Nobody became an actor because he had a good childhood."
William H. Macy
 On the stage you are raw and exposed. As you progress, the more you relax on stage, the more you will be able to interact with other actors organically. This process leads you to a greater understanding of human nature. Your compassion for yourself and others will increase and you will grow in ways you never imagined!
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